16 appearances; Li'l Abner. (1947) and "Little Fanny Gooney" (1952), were almost certainly an inspiration to Harvey Kurtzman when he created his irreverent Mad, which began in 1952 as a comic book that specifically parodied other comics in the same subversive manner. More recently, Dark Horse Comics reprinted the limited series Al Capp's Li'l Abner: The Frazetta Years, in four full-color volumes covering the Sunday pages from 1954 to 1961. In point of fact, Capp maintained creative control over every stage of production for virtually the entire run of the strip. Mammy Yokum appears in 83 issues View all Al Capp's Li'l Abner Comics. Moonbeam McSwine The story concerns Daisy Mae's efforts to catch Li'l Abner on Sadie Hawkins Day. A lifelong chain-smoker, he happily plugged Chesterfield cigarettes; he appeared in Schaeffer fountain pen ads with his friends Milton Caniff and Walt Kelly; pitched the Famous Artists School (in which he had a financial interest) along with Caniff, Rube Goldberg, Virgil Partch, Willard Mullin and Whitney Darrow, Jr; and, though a professed teetotaler, he personally endorsed Rheingold Beer, among other products. Mammy Yoakum The resulting sequence, "Jack Jawbreaker Fights Crime! Almost every line was followed by two exclamation marks for added emphasis. People magazine ran a substantial feature, and even the comics-free New York Times devoted nearly a full page to the event," according to publisher Denis Kitchen. [2] It was originally distributed by United Feature Syndicate, and later by the Chicago Tribune New York News Syndicate. [37] Other promotional tie-ins included the Lena the Hyena Contest (1946), the Name the Shmoo Contest (1949), the Nancy O. Tiny Yokum: "Tiny" was a misnomer; Little Abner's kid brother remained perpetually innocent and 15½ "years" old — despite the fact that he was an imposing, 7-foot (2.1 m) tall behemoth. was the reply Ralph Kramden told his wife Alice (concerning a comment made by Ralph's mother in-law) in Episode #2, Al Capp designed the 23-foot-high (7.0 m) statue of Josiah Flintabattey Flonatin ("Flinty") that graces the city of, "Natcherly," Capp's bastardization of "naturally," turns up occasionally in popular culture — even without a specifically rural theme. The term shmoo has also entered the lexicon — used in defining highly technical concepts in no fewer than four separate fields of science. Sadie Hawkins Day and Sadie Hawkins dance are two of several terms attributed to Al Capp that have entered the English language. A much more successful musical comedy adaptation of the strip, also entitled Li'l Abner, opened on Broadway at the St. James Theater on November 15, 1956 and had a long run of 693 performances,[65] followed by a nationwide tour. Mister, you is filthy without it.

and the preacher says "Go to!". In 1947, Will Eisner's The Spirit satirized the comic strip business in general, as a denizen of Central City tries to murder cartoonist "Al Slapp," creator of "Li'l Adam." Her most familiar phrase, however, is "Good is better than evil because it's nicer!"

[63] The storylines and villains were mostly separate from the comic strip and unique to the show. Capp is also the subject of an upcoming PBS American Masters documentary produced by his granddaughter, independent filmmaker Caitlin Manning. Web. Lower Slobbovians spoke with burlesque pidgin-Russian accents; the miserable frozen wasteland of Capp's invention abounded in incongruous Yiddish humor. White, David Manning, and Robert H. Abel, eds. | He had an unfortunate predilection for snitching "preserved turnips" and smoking corn silk behind the woodshed — much to his chagrin when Mammy caught him.


With John Hodiak in the title role, the Li'l Abner radio serial ran weekdays on NBC from Chicago, from November 20, 1939 to December 6, 1940. I've never heard anyone mention this, but Capp is 100% responsible for inspiring Harvey Kurtzman to create Mad Magazine.

It can be found in, Brodbeck, Arthur J, et al. The stage musical, with music and lyrics by Gene de Paul and Johnny Mercer, was adapted into a Technicolor motion picture at Paramount in 1959 by producer Norman Panama and director Melvin Frank, with an original score by Nelson Riddle. Li'l Abner made its debut on August 13, 1934 in eight North American newspapers, including the New York Mirror. She stops the mob and helps her neighbors get to know the new family.

"When Fosdick is after a lawbreaker, there is no escape for the miscreant," Capp wrote in 1956. Contest (1951), the Roger the Lodger Contest (1964) and many others. A superhuman dynamo, Mammy did all the household chores — and provided her charges with no fewer than eight meals a day of "pork chops" and "turnips" (as well as local Dogpatch delicacies like "candied catfish eyeballs" and "bean soup").

A whole month? Shades of Mayor Pete. How long this engagement thing last? Besides being fearless, Fosdick was "pure, underpaid and purposeful," according to his creator.

Dogpatch characters pitched consumer products as varied as Grape-Nuts cereal, Kraft caramels, Ivory soap, Oxydol, Duz and Dreft detergents, Fruit of the Loom, Orange Crush, Nestlé's cocoa, Cheney neckties, Pedigree pencils, Strunk chainsaws, U.S. Royal tires, Head & Shoulders shampoo and General Electric light bulbs. Since this movie predates their comic strip marriage, Abner makes a last-minute escape (natcherly!).

Other familiar silent comedy veterans in the cast include Bud Jamison, Lucien Littlefield, Johnny Arthur, Mickey Daniels, and ex-Keystone Cops Chester Conklin, Edgar Kennedy and Al St. John. A 1950 cover story in Time even included photos of two of his employees, whose roles in the production were detailed by Capp. Pimpleton (they've been engaged for 17 years), but Fosdick was directly responsible for the unwitting marriage of his biggest fan, Li'l Abner, to Daisy Mae in 1952. : In 2002 the Chicago Tribune, in a review of The Short Life and Happy Times of the Shmoo, noted: "The wry, ornery, brilliantly perceptive satirist will go down as one of the Great American Humorists." His appearances on NBC's The Tonight Show spanned three emcees; Steve Allen, Jack Paar and Johnny Carson. Later, many fans and critics saw Paul Henning's popular TV sitcom, The Beverly Hillbillies (1962–'71) as owing much of its inspiration to Li'l Abner, prompting Alvin Toffler to ask Capp about the similarities in a 1965 Playboy interview.

Li'l Abner is a satirical American comic strip that appeared in many newspapers in the United States, Canada and Europe, featuring a fictional clan of hillbillies in the impoverished mountain village of Dogpatch, USA.

Fosdick lived in squalor at the dilapidated boarding house run by his mercenary landlady, Mrs. Flintnose. Kurtzman carried that forward and passed it down to a whole new crop of cartoonists, myself included. Al Capp once told one of his assistants that he knew Li'l Abner had finally "arrived" when it was first pirated as a pornographic Tijuana bible parody in the mid-1930s. He would eventually acquire a couple of supporting character friends for his own semi-regularly featured adventures in the strip. Forget about it — slam dunk! Her moniker was a pun on both salami and Salome.

Mammy Yoakum Official Sites And virtually all cartoonists remain content with their diluted share of any merchandising revenue their syndicates arrange. Women and girls take the initiative in inviting the man or boy of their choice out on a date — almost unheard of before 1937 — typically to a dance attended by other bachelors and their assertive dates. Capp has credited his inspiration for vividly stylized language to early literary influences like Charles Dickens, Mark Twain and Damon Runyon, as well as Old-time radio and the Burlesque stage. Consequently, Salomey is frequently targeted by unscrupulous sportsmen, hog breeders and gourmands (like J.R. Fangsley and Bounder J. Roundheels), as well as unsavory boars with improper intentions (such as Boar Scarloff and Porknoy).

Pappy Yokum wasn't always feckless, however. Mammy Yoakum
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